D&M Publishers
Abstract Painting in Canada

Book details:

August 2007
ISBN 978-1-55365-226-7
Hardcover
10" x 12"
432 pages
200 colour illustrations
Art
History / Canada
$85.00 CAD

Douglas & McIntyre

Abstract Painting in Canada

The story begins in the 1920s with the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris. Two decades later the Automatistes—Canada’s first truly independent avant-garde art movement—burst onto the scene in Montreal.

After the Second World War, the urge to abstraction spread across Canada, manifesting itself in significant regional movements. Vancouver painters retained a British flavour, while in Toronto, the Painters Eleven looked south to New York. Montreal’s Plasticiens launched their own razor-edged interpretation of the European tradition of geometric abstraction. In the sixties and seventies, the Prairies were influenced by Clement Greenberg’s post-painterly abstraction, while Halifax became a hub of conceptual art and concrete painting.

The book continues through the eighties and nineties, during which critics largely denounced painting, and concludes in the twenty-first century, with abstract painting alive and well again in the studios of Canada’s young artists. A monumental tome containing 200 colour reproductions, it mines a rich vein of art history ripe for international discovery.

About the Author

Roald  Nasgaard

Roald Nasgaard

Roald Nasgaard is a professor of art history and, for the past decade, chair of the art department at Florida State University. His long and distinguished ...

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